Zan Lyons’s audiovisual pieces plunge us into unsettling interpretations of everyday life. With a first look at his new piece, Terminal, Zan explains how he prepares synchronized snippets of sound and video using key mapping and a Max for Live device – then adds panning and reverb to place sounds in the space we see on-screen. He also shares the sound design techniques he uses to transform his own cello recordings into otherworldly drones.
Learn how Zan Lyons creates immersive audiovisual experiences in Live, plus the sound design techniques he uses to match the movement, depth and atmosphere on-screen.
